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	with SMTP id ; Thu, 9 Apr 1992 15:33:53 -0700
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Message-Id: 
Date:     Thu, 9 Apr 92 15:31:47 PDT
From: Sven 
To: jamesb@nevada.edu
Subject:  some tab

King Crimson -- Frame by Frame



This is the 7/8 guitar part that Belew plays during the singing:

----------------!----------------!--      ----------------!---------------!
----------2-----!----------2-----!--      ----------2-----!---------2-----!
--2---4-----4---!--2---4-----4---!- etc...--2---4-----4---!--2---4----4---!
----4---4-----4-!----4---4-----4-!--      ----3---3-----3-!----3---3----3-!
----------------!----------------!----    ----------------!---------------!
----------------!----------------!-       ----------------!---------------!

----------------!----------------!----------------!
----------2-----!----------2-----!----------5-----!
--2---4-----4---!--2---4-----4---!--5---7-----7---!  repeat the same pattern
----2---2-----2-!----2---2-----2-!----7---7-----7-!  at the 5th fret.
----------------!----------------!----------------!
----------------!----------------!----------------!

The fripp line on top of the belew 7/8 is basically the same riff in
alternating bars of 6 and 7, but KEEPING THE SAME 8th note value. 
This produces the funky intervals you hear... and you thought it
was a delay! (I know *I* did first time I heard it... 8-)).

------------------|---------------|
------------2-----|----------2----|
--2---4-------4---|--2---4--------|
----2---2-------2-|----2---2---2--|
------------------|---------------|  etc. over the 7/8 above...
------------------|---------------|

The chording during fripps' wacked out picking in the intro and 
between verses seems to be a barred 9th chord, dropping the 
unison on the G string to the major 7th, ie

--2-----2--2----|
--2-----2--2----|
--4-----3--4----|
--4-----4--4----|
--2-----2--2----|
--2-----2--2----|

with appropriate whammy bar antics for the first chord, then up to a
Dsus2 (5th & 7th fretts) then again another 3rd.

Oh yeah, when the 13/8 and 7/8 fall back together, they play for
about 3 bars both in 7 *then* drop the bass note as noted above.

Some one is yet to figure out the "wacked out fripp part".                    

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